I seem to be really into these consistent quarter-note strum patterns lately - maybe as a result of wanting to fill the sonic space with a single take on a single instrument. And of course, any excuse to throw a major 7 or a minor 2 into a riff.
It’s maple syrup season! My current favorite recipe is the spiced candied cashews from this Ottolenghi recipe: youtu.be/SiaQhK7TH… , but of course substituting maple syrup.
Today I made it with pecans, dried maras biber pepper, garam masala, black lime, and flaky salt. It’s magnificent.
Listening back to this, I think I stole part of a phrase from R.E.M. (and probably others). The overall thing sounds about like I feel this morning - like there’s some ability for ease to exist, but I missed it by going the hard way.
This might sound weird or obvious, but it’s been an interesting challenge making something that’s improvised actually sound like things were planned along with any kind of consistent tempo. I can already see it having the effect of tightening up my guitar playing and composition in general - things are less rambly than they were when I was just playing this stuff by myself without hitting record. Which is not to say that there aren’t tons of flubs - don’t worry, there are still tons of flubs.
Short, but I found the groove fun to play along with.
One struggle I’m having is the balance between wanting to make sure these ideas aren’t too rehearsed and the desire for them to come across in spite of not being practiced and occasionally stumbling while I’m improvising. I don’t practice enough to where my technique is flawless right now, and it makes me feel a bit self-conscious about sharing ideas with goofs in them. But I’m doing it anyway :)
I only realized this morning that the riffier progressions have mostly been “two ideas, contrasted and expanded” and not just one idea. The threshold for hitting “record” on them is usually “Ok, I’ve got two things that work well enough together, let’s improvise on that now.”
My first recording got corrupted and lost, so I guess this is my version of waking up and immediately being frustrated but trying to still access some calm.
Minor seconds are some of the hardest intervals to play on the guitar, especially stacked (and sometimes even inverted), but the payoff is always interesting (to me, at least).
I’m not sure how far I thought I was going to take this, but 50 seems like a milestone! I’m celebrating with this incredibly soft, rounded, understated melody. Look: I don’t control what comes out - when you roll out of bed + pick up a guitar, what happens: happens.
These garden ties are by far the best computer cable ties I’ve ever found. They can be cut to a perfect length, they’re easy on the hands, they clamp quickly, and they’re incredibly cheap relative to computer-specific ties.